Download Festival 2017 - Day One Review

SOMETHING very weird has happened. Download Festival has had a whole day without rain. Not only that, but it was sunny - proper, fucking sunny.

'But what of the bands?' I hear you ask. Well I'll give you a spoiler alert - despite the sun and beer and quality music all around, the day all ended a bit flat. But we'll get to that.

Motionless In White - Picture by Paulo Gonçalves

For once I was at Donnington bright and early and ready when NORTHLANE kicked off on the main stage and the Aussie boys were cracking and followed by the very popular MOTIONLESS IN WHITE. Great stuff to get the juices flowing.

I moved about for a while, taking in bits of ASTROID BOYS, CODE ORANGE and MACHINE GUN KELLY. The latter of those bands I didn't quite get and their cover of Oasis' Wonderwall was appalling - even if it did get the crowd singing.

MASTODON were next on the main stage and they too were a little disappointing. Not the band, I must say. You could see they were working their socks off and giving it their all as always, but the beautiful intricacies of their musicianship were - oddly - blown away in the wind. The sound just didn't carry as best it could. I did still enjoy the set though.

And then came the double-whammy that really cranked things up for me. I love a bit of FIVE FINGER DEATH PUNCH and they did not disappoint with a fierce set that included many of the favourites including Burn MF, Was It All Away, Bad Company and ended with The Bleeding. 

Five Finger Death Punch - Picture by Ben Gibson

They were followed by PROPHETS OF RAGE, who really rocked. Chuck D has such an amazing presence and the rest of the band were superb. Their set included a poignant tribute to Chris Cornell as they played a vocal-free version of Like A Stone. Beautiful.

SUM 41's return on the second stage was a welcome one. Frontman Deryck Whibley does look like he's been through the ringer, but there is still a power and angst there and some of the new songs are excellent. Alas, I missed the classics - Still Waiting, In Too Deep and Fat Lip - as I had to get to the main stage for the headliners.

SYSTEM OF A DOWN have a rightful place in rock and metal royalty. They are as original as they are brilliant in their music creation. I was excited to see how this translated to a live performance - a first for me. And it was a disappointment. For me, Serj Tankian's voice just didn't seem up to it and Daron Malakian seemed to have the hump with him.

And I don't think I've seen such a static headline act. Shavo Odadjian made something of a fist of it, but Serj and Daron were happy to remain behind their mic stand at all times. That meant the energy that their songs possess just didn't come across. It was OK. But you expect a lot more than OK from your headliners.

Download 2015 - Day Two review

WAKING up with a massive rumbling sound in you head is never nice and it takes me longer than it should to work out it's an aeroplane coming into land rather than my hangover.

The other noise I hear is rain. It started the night before and - as I will come to learn - it will not stop all day. At least I'm prepared now with a jacket and wellies rather than the hoodie and Converse that got ruined during last night's torrential downpours.

Faith No More - picture by Scott Salt/Download 2015

But enough of my moaning, today I am enticed into the arena by the harmonious vocals of festival favourites The Lounge Kittens whose pitch-perfect set includes covers of Marilyn Manson's The Beautiful People, Metallica's Sad But True, Slipknot's Duality and a Download megamix.

And now I'm ready to start the day. And first up on the agenda is Funeral For A Friend - a band I think should be bigger than they are. They've produced so many good songs over the years - and play them here. 

Maybe they're victims of "the next young things" knocking them down the ladder, I don't know. But upstarts Chunk! No Captain Chunk! steal some audience from them to the nearby Maverick stage - me, admittedly, for a bit - while Mallory Knox then come on the Main stage and get a much bigger reaction.

That's not to say Mallory Knox or the boys in Chunk don't deserve their plaudits. Each give energetic performances, as do Hands Like Houses, who could be the next pretenders to the radio-friendly alt-rock crown.

Next up came one of the disasters of the weekend. Hollywood Undead. 

Whereas Slipknot's masks can't hide the fact they're a top-class metal band, Hollywood Undead's masks can't hide the fact they're totally crap.

It's like the bastard mongrel offspring of bad Beastie Boys and Papa Roach tribute acts with lyrics by Sean Paul. It was just awful. They may have been saved if there was even the remotest hint that they knew this was all a bit silly and tongues were in cheeks, but I got the impression they think they're the best and coolest band in the world. They ain't.

And it rubs salt into my earlier wound of a band like Funeral For A Friend two spots below them on the Main stage bill.

But every cloud has a silver lining and that was making my way from the car crash of Hollywood Undead up the hill to Jake's stage where I found Crobot. Proper musicians, playing proper rock music.

A Day To Remember - picture by Justine Trickett/Download 2015

Their track Skull Of Geronimo was the highlight with Brandon Yeagley nailing the vocals.

A bit chirpier, I went back down the hill to some real heaviness with Upon A Burning Body in the Maverick tent and Parkway Drive on the Main.

Like yesterday's slight let down when Rob Halford failed to join Five Finger Death Punch for Lift Me Up, I was disappointed that Ice T didn't show for UABB's set-closing Turn Down For What despite his Bodycount playing later in the day.

His recorded vocals were played out though and the track still lifted the tent off the ground.

Rise Against were next for me on the Main stage and then Motionless In White on the Zippo Encore before A Day To Remember made it, well, you know. 

Their powerful and energetic performance began with the duda duda dudahs of The Downfall Of Us All and also included a cover of Oasis's Champagne Supernova. There were a few groans from the metal hardcore when they first began to play it, but they were soon singing along to all the words "...in the skaaaaayyy".

I saw a little bit of Bodycount, but not enough to report on. Then came the biggest let down of the weekend. Faith No More.

Angel Dust is one of my favourite albums and they have made so many other good songs over the years. Yet there was something missing from the performance. Decked out all in white and surrounded by flowers, they didn't look like us. Maybe that was it. Or the smuggish sneer on Mike Patton's face. I don't know. But the performance seemed too routine and the interaction with the crowd forced. 

Marilyn Manson
- picture by Danny North/Download 2015

By now, of course, we're at the business end of the day and I decide to split my "headline" time between two stages.

I start off with Marilyn Manson on the Encore stage and he had what Faith No More lacked. Magnetism. You just have to watch him. He's an enigma. And he's got a hell of a voice too.

He started with new track Deep Six, then hit us with an old favourites Disposable Teens and mOBSCENE. His covers of Sweet Dreams and Personal Jesus were also included and he finished with the superb Beautiful People.

Muse, meanwhile, were showing just why they are one of the world's biggest rock bands. Yes they are a lot more commercial than a lot of the other bands on the bill, but they write amazing songs and perform them in a spectacular show - even if we only got the scaled back version.

Their set included a number of songs from their new album Drones, but plenty of the classics such as Hysteria, Supermassive Black Hole, Time Is Running Out and Stockholm Syndrome before closing their encore with Plug In Baby and Knights Of Cydonia.

So more than 15 bands seen in one day - a day it rained constantly - and my must-see of the weekend early on the bill tomorrow. Time for bed.